My biggest project to date, a million-plus
budgeted feature film and perhaps unusually for such a project
it was shot almost entirely on location in London.
Taking a leaf from James Cameron’s book,
I shot this on Super 35 for an anamorphic blow-up for theatrical
A few of the press & critical responses:
"A fast-paced and compelling thriller
that uses London to brilliant effect."
Nick Joicey, The Observer
"Riverside London sparkles with the chill
glitter of reflected streetlights in a film that joins The Long
Good Friday and Defence of the Realm in an all-too limited class
of high-calibre, politically triggered police dramas."
Oscar Moore, Screen International
"Michell's confident direction and Alan
Dunlop's stylish Scope cinematography are the real stars..."
Tom Charity, Time Out
"The best bit...London in brilliant widescreen!"
The Observer Magazine
"With its steely blue sheen, the film
The Daily Mirror